{"id":7205,"date":"2021-07-21T13:11:43","date_gmt":"2021-07-21T11:11:43","guid":{"rendered":"https:\/\/kulaberlin.com\/?p=7205"},"modified":"2021-07-22T19:31:16","modified_gmt":"2021-07-22T17:31:16","slug":"anna-grazia-perlini","status":"publish","type":"post","link":"https:\/\/kulaberlin.com\/it\/anna-grazia-perlini\/","title":{"rendered":"Anna Grazia Perlini"},"content":{"rendered":"\n

Ceramic Artist from Verona <\/strong><\/p>\n\n\n\n

My work is a party, it is a concert of silence and sound.<\/p><\/blockquote>\n\n\n\n

We met Anna on our #KULAMeters Trip through Italy<\/strong>. We parked directly infront of her studio and saw her working. Of course we had to enter to her atelier. From this day on, we are in contact and became a big fan of her sculpture. We recommend everyone to visit her atelier and meet her in person. A wonderful creative person. Welcome to our Interview with Anna Grazia Perlini. <\/strong><\/p>\n\n\n\n

Wine or Beer?<\/strong><\/p>\n\n\n\n

Wine<\/p>\n\n\n\n

Potatoes or Pasta?<\/strong><\/p>\n\n\n\n

Pasta<\/p>\n\n\n\n

Anna, you are from Verona, since when do you work with ceramics, why did you choosed to open a studio in Verona?<\/strong><\/p>\n\n\n\n

I’m from Verona, I’ve been working with this material for over thirty years. For a financial perspectives, it would have been difficult to open a studio elsewhere. I live here, and work every day …<\/p>\n\n\n\n

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In which district is your studio?<\/strong><\/p>\n\n\n\n

I have my studio in one of the oldest areas of the city: San Giovanni in Valle.<\/p>\n\n\n\n

How did you start? What are your inspiration?<\/strong><\/p>\n\n\n\n

I have always done something in the expressive<\/strong> fields, but to tell the truth I only imagined that my destiny will be sculpture and the molding. When I was 16 or 18 year old, I started painting. At 22, I had an amazing experience of theater (Grotowsky’s Body Theater<\/strong>) which marked me for life. From there … the research began for me: meaning of doing, of action, through another body: the material<\/strong>. It was for me very useful to read about Duchamp<\/strong>, the “retinal art<\/strong>“, the “ready made<\/strong>“, the \u201cGreat Glass<\/strong>\u201d.<\/p>\n\n\n\n

What technique do you work with?<\/strong><\/p>\n\n\n\n

I use Tender Earthenware<\/strong>, a white ceramic mixture with a subtle body. I move into the world of majolica<\/strong>. I assemble pieces made on the lathe<\/strong> and modified<\/strong>.<\/p>\n\n\n\n